Showing posts with label tower. Show all posts
Showing posts with label tower. Show all posts

Thursday, October 6, 2011

KUROKAWA: NAKAGIN CAPSULE TOWER


Perhaps the most emblematic building of the Metabolist Movement is the Nakagin Capsule Tower, designed by Kisho Kurokawa in 1970 and built in just one year. The Nakagin was the first building of its kind in the world and greatly influenced the architecture Capsule-hotels, which are common in Japan. However, lack of maintenance and obsolescence of the building have caused a debate between the ones who wish to preserve this icon of Tokyo urban landscape and those who want to tear it down to build a new tower for its occupants.


BACKGROUND
In 1970 the World Expo was held in Osaka , a place where Metabolist ideas were largely embodied in various fields. Torizo Watanabe, president of the Real Estate Nakagin Co. in Tokyo visited the Expo and was very impressed by the Takara Beautilion, designed by Kurokawa . He then proposed to the architect to design a new type of housing building with permanent capsules for those who have already a house in the suburbs but would like to have a place to stay in the center of Tokyo. Kurokawa gladly accepted the idea and called it "housing for the Homo-movens: people in motion."


Takara Beautilion, by Kisho Kurokawa in EXPO Osaka 70

LOCATION
Nakagin Capsule Tower is located in Ginza, a shopping area in the heart of Tokyo. Note that in these area the price of land is very expensive, and far exceeds the price of the building itself (sometimes up to 90% of the total price).


THE PROPOSAL
Kurokawa's project was a bit more ambitious than the one that was actually built, and consisted of two towers housing the capsules, that could be growing organically according to future needs, according to Metabolist principles.

The original design proposed two towers linked by a bridge.

The buildings consisted of two components: a mega-structure of reinforced concrete containing the elevators, stairs as well as bridges that interconnect to other buildings, and the capsules, which would anchor the structure in just 4 points for easy replacement every 25 years.



Each capsule measures 2.3 x 3.8 x 2.1 m and it was built with lightweight steel panels (the same used in cargo shipping containers). The units were prefabricated and then assembled in situ.


In its 14-story tower 144 units were housed and are arranged randomly to emphasize their assemblable character.




The cabins were designed to accommodate individuals, but could be articulated with each other to accommodate families. In addition to furniture a built-in audio, television and telephone were included, with all the comforts that the technology allowed at that time.


Photos courtesy of pict u re

DETERIORATION
After the Nakagin Tower was completed, it received national acclaim and much international interest, as it was the first building of its kind to be built in the world. Kurokawa thought this would be the beginning of a new era in architecture.


However, with the advent of new ideas, particularly Postmodernism, Metabolist ideas quickly lost their momentum.



Moreover, the building has serious functional disadvantages, such as little flexibility and a huge loss of area in an zone where, as we said, the value of the property is very high. Kurokawa proposed to renew of the capsules every 25 years, but in reality given the price and growth of Japanese cities, entire buildings are being demolished at the same period of time.
DoCoMoMo, the international organization for the documentation and preservation of modern architecture has declared this building as architectural heritage and has made ​​unsuccessful efforts to nominate this tower to the World Heritage Committee for consideration, since it is one of the most innovative building experiments during the post-war. Many institutions, including the Japan Society of Architects have called for its restoration and preservation.


Although these units were intended to be replaced, they have not been changed in almost 40 years, so a visible deterioration can be seen. In addition to a not very welcoming fauna lodging in the cracks of the capsules, there are leaks in the water and sewage facilities and pollution from asbestos-containing parts. Not to mention that the area of the capsules is minuscule compared the neighboring buildings. The audio and television equipment at the time avant-garde has become obsolete (can you imagine you watch TV on a TV from the 70s?).

For all these reasons this building has been scheduled for demolition, to be replaced by a 14 story tower that intents to provide 60% of more area to each apartment.


The Nakagin Capsule Tower is one of the landmarks of Tokyo and perhaps Japan itself. For many, it is worth retaining in memory of master Kurokawa, who died recently . But I would bet that among those in favor of preservation, no one would dare to live there.



The following video shows the positions of both architects and academics as some residents on this building and its controversial conservation.



UPDATE

The Mori Art Museum in Roppongi Hills, held the exhibition "Metabolism", as part of the events of the World Congress of Architecture 2011. As part of the exhibition, a faithful reproduction of one of the capsules Nakagin is shown.

The pictures shown below would give a clearer idea of ​​the original design, since it is impossible for the public to access the existing building.




Will expand more on our next post on the Metabolist Movement.

Tuesday, June 29, 2010

TOYO ITO: A TRIBUTE TO THE WINDS

ESPAÑOL

"I wanted to show that the loss of reality in the life of the city is the other side of the coin in the image of architecture"

Toyo Ito


Toyo Ito is, along with Tadao Ando , the most internationally recognized Japanese architect of our time. But, unlike Ando, whose work is based in the Japanese tradition, particularly in the use of light, and maintains a rational, geometric, massive vocabulary and style, Toyo Ito is not tied to any style, experimenting with metaphorical themes, transparent forms and electronic gadgets. Therefore, his works are closely related to another aspect of the culture in Japan, that is in many respects, the most technologically advanced country in the world.

Toyo Ito

Born in Korea (although Japanese descent) during Japan's occupation of that country (1941), and owner of a simple, affable personality, Toyo Ito recognizes the importance of Ki (気), the energy flow that runs in the architecture and all things.


"The spirit of Ki, while circulating in the cosmos as air, it condenses and solidifies to form the body of living beings. The body is made of liquids and solids, but is mainly gas. At the same time as the gas condenses and solidifies to form the body, the air that is inhaled into the body fills it. In this way the Ki sustains life. once inhaled the air is exhaled rapidly and there is no distinction between the self and the others.

Toshio Kuwako mentioned by Toyo Ito when he wrote "Tarzan in the forest of the media"

Hence Ito's architecture combines the wind flow with the flow of electrons and propose an architecture sensitive to the effects of the environment through the use of technology.

In this regard, two of his early experimental projects are the Egg and the Tower of the Winds, since it is light and almost ephemeral character, and its technological paraphernalia.

THE TOWER OF THE WINDS (1986)

There used to be an old water tower and ventilation ducts in front of the the Yokohama bus station was, an anonymous, brutalist and made-of-concrete structure .


The Tower of the Winds is located in front of Yokohama Bus Terminal
An architectural competition was organized with the idea of improving the first impression of visitors arriving to this city by bus.


The oval cylinder geometry of the Tower of the Winds is distinguished from the other volumes in the surroundings.
Photo courtesy of El Croquis.

Ito's proposal was to cover the tower with acrylic mirrors. A metallic oval-cylindrical structure, 21 m in height and 9 x 6 section was installed around the tower, lined with a perforated aluminum coating that reflects the sky during the day.

The tower is covered with a perforated aluminum plate. Photo C. Zeballos


I must say that my first impression was a bit disappointing, perhaps because I visited it on a cloudy afternoon and the tower did not seem to be anything special. However, the tower became much more attractive at night, when 1300 lamps in coordination with 12 rings offered a multicolor light show.

The same view at night . Photo C. Zeballos.

An electronic system recognizes the differences in wind speed and the sound waves in the noise around and translates them into light and color codes. For this reason, unlike a traditional arrangement of lights, this installation does not follow a predetermined program or routine, and offers an ever-changing spectacle of light and color.

Light Sequence of the Tower of the Winds. Photos courtesy of El Croquis
Floor plan of the Tower of the Winds. Image courtesy of El Croquis

The following concept video shows the components and operation of the tower




THE EGG OF THE WINDS (1991)

Ito proposed a kind of "Building of Tomorrow", an "video gallery oudoors." There are two versions of this, one in Brussels and the other in the Japanese suburb of River City 21 in Tokyo.
It is a structure of a oval geometry -a recurring form in their designs at the time, contrasting with right-angled parallelepiped volumes of its surrounding.


This capsule is attached to a wall, suspended from the floor by metal legs, and gives the impression of floating in the air, especially from a small public space located on the mezzanine.


Day and night view of the Egg of Winds. Photo C. Zeballos

Using a coating similar to that of the Tower of Winds, this 16 x 8 m ellipsoid is covered with a perforated aluminum plate below which liquid crystal screens displayed pictures and news.




Schemes Egg of Winds. Pictures courtesy of The Sketch.

While in operation, the effect is very interesting: the images appeared as if they were floating on a curved surface, almost like a hologram, very different from the effect of the giant screens hung on the facades of buildings.

Egg of winds. Photo courtesy of Philip Jodidio.

Initially conceived as a futuristic house, the Egg of Winds "is the object of the images that come with the wind and move with the wind."


Interesting formal contrast with the surrounding volumes. Photo C. Zeballos.


For Toyo Ito the wind and its meaning are very important, not only because his architecture and especially his urban sculptures are characterized by lightness and transparency, but because it interacts with the environment and the user, making him aware of energy that surrounds it.


SEE ALSO

- OTHER WORKS BY TOYO ITO

- URBAN LIGHTING

- URBAN SPACES

Seen from the upper terrace, the ellipsoid gives the impression of being floating. Smaller than it looked in the photos, I was not lucky enough to find it functioning.

Friday, June 11, 2010

JEAN NOUVEL: AGBAR TOWER, BARCELONA

Ah, Barcelona ...! Irresistible city that has it all. With its Montjuic and its Ramblas, its Mirós and Gaudís, the musical sound of his Catalan language, its landscape and its people, the elegance of its old rich heritage and the challenging quality of its Avant Garde. The Colonia Julia Augusta Paterna Barcino Faventia of the Romans, commonly known as Barcelona. Until recently, the Barcelonan urban landscape was dominated by the still incomplete profile of the emblematic church of the Sagrada Familia, but only recently a rival appeared in the horizon: the Agbar Tower, designed by the internationally renowned architect Jean Nouvel, in collaboration with the studio b720 Arquitectos from Barcelona.

Jean Nouvel is the best known French architect at the time, as he has received the highest award in architecture, the Pritzker Prize in 2008. Owner of an innovative talent for interior and architectural design while using materials like metal and glass, his works appear more refined than the High Tech style. Nouvel has also been recognized with the "Grand Prix d'Architecture and the "Equerre d'Argent" awards for its many interior design and architectural projects. Moreover, Brad Pritt named his daughter Shiloh Nouvel Jolie-Pitt, as the famous American actor is a fervent admirer of the French architect (sorry, but I do not think I would name my son as Tadao Zeballos because he will hate me for all his life) .

Photo Courtesy of EFE

"This is not a skyscraper in the American sense of the expression. It is a unique development in the middle of this quiet city," Nouvel said about his Torre Agbar. "But it is not the slender, nervous verticality of spires and bell towers that often dotted horizontal cities. It is, instead, a fluid mass that has sank on the ground, a geyser under calculated permanent pressure. Novel made this reference for his client, AGBAR, the water utility company Aguas de Barcelona.

Floor plan courtesy of arquispace

The truth is that the metaphor of a geyser seems to me exaggerated. A geyser is a temporary phenomenon of an ever-changing shape, and that is quite different from the ethereal geometric form of the Agbar building. Indeed, many have associated the shape of the tower with a bullet, a suppository, a dildo and even phallic references. To be honest, the first time I saw the building I figured it was meant as an allusion to the main nave of the Sagrada Familia, which will have a similar shape, but could not help but think of how much fun would have been to have Sigmund Freud psychoanalyzing Nouvel.

Beyond the metaphors, the fact is that the Torre Agbar is located with a height of 144.4 m as a lonely landmark in front of the Plaza de las Glories Catalanes.


The concept is based on two non-concentric oval cylinders topped by a glass dome.


The inner cylinder contains the circulation and the services, and connects the 31 elliptical stories, which are free of columns.




The outer cylinder has two skins: a concrete interior covered with sheet of aluminum and the other consisting of 59.619 glass plates, creating a colorful facade of more than 40 different tones that resemble a pointillist painting.Between the two membranes an air cushion is generated, allowing the ventilation of the building.

Foto cortesía Grupo Agbar Photo courtesy Agbar Group

"The surface of this building evokes water: smooth and continuous but also vibrating and transparent because it manifests itself in deep colors - uncertain, luminous and colorful" continues Nouvel. "This architecture comes from the earth but it does not have the weight of the stone. It could be a distant echo of the old Catalan formal obsessions, dragged by a mysterious wind off the coast of Montserrat."

But it is at night when the building achieves its greatest charm, becoming a giant multicolored lantern.4500 lights of different colors give life to the show that has made it famous worldwide. It uses a sophisticated LED system , which allows a better lighting performance and a more uniform light tone while optimizing energy consumption.

View of the Sagrada Familia

Cafeteria
Photos courtesy Agbar Group


Nobody can deny that the tower has become an important landmark in the memory of the population, although not all locals like it. And while I celebrate the quality of the design per se, I worry that this will be the beginning of a trend where many skyscrapers will start to populate Barcelona, but with much less quality than the talented Nouvel's building... it would be a shame.

Links: To view the changing colors Torre Agbar, click here:




Jan, Arnel, Sr. Flavia Mateu and me in Barcelona