Monday, December 12, 2011

TRAJAN'S MARKET, ROME

ESPAÑOL

Close to the Imperial Forums stands Trajan's Market, a fine example of the aesthetic, functional and constructive Roman genius, particularly regarding the use of brick. The first "shopping mall" in history is located next to the Forum of Trajan, housing more than 150 stores at different levels and with terraces overlooking the forum.



BACKGROUND

As we saw in a previous post, one of the functions that originated the Roman Forum was trade. Then, little by little the Imperial Forums were assuming the civic and memorial role, and therefore commerce was relegated to a few stores in the Basilica Emilia and Julia.


Trajan saw the need for a building that would specialize in the sale of products and decided to build it next to the majestic forum where he was revered as a deity. However, the lack of space available would require a major excavation on the slope of the Quirinal.

Trajan's Market in Roman times
Trajan's Market today.

DESIGN

The project for the market was commissioned by the emperor to Apollodorus of Damascus, his favorite architect and partner in his military campaigns (when he was commissioned to build the bridges). This brilliant architect would also be responsible for the construction of the Trajan's Forum itself. The prestige of Apollodorus did not stop with the death of his friend the Emperor, and he would continue working with Adrian for the design and construction of the Pantheon (it is said that it was Adriano who had Apollodorus killed for contravening his ideas).

During our visit, excavations were being conducted in the Forum of Trajan. In the background, the market.

The market was built between 100 and 110 AD following a semicircular layout, responding to the shape of the Basilica Ulpia's exedra which stood in front. The complex was developed on six levels, linked by lateral stairs.

Cross-section

The three lower levels facing the forum, were used for the sale of food products in stands called tabernae.

Images courtesy of Museums in Commune. Click on the image to enlarge.

It also comprised various zones, which meet specific functions. The following description is based on the official site of Trajan's Market .

a) Great Semi-Circle. b) Small Hemicycle. c) Forward Halls. d) Via Biberatica.
Images courtesy of Museums in Commune. Click on the image to enlarge.

a) Greater Semi-Circle

It was the area that was closer to the Forum of Trajan, so that the masonry and decoration were carefully worked.
As previously said, its semicircular shape echoes the layout of the exedra that stood in front, but it also had a structural purpose, as it better contained the load of the hill.
As the building was ascending in height, the rooms were going deeper into the hillside.



Eleven small rooms with vaults are located at the first level. Frescoes can be seen in the walls and black and white tiles covered the floor.
The second level has a semicircular corridor covered by a barrel vault, with windows to the facade.
The third floor has a service corridor open to the Biberatica street and an internal mezzanine.


b) Small Hemicycle

It is a three-story semicircular structure, located behind the northern hall.
In the first level the shops are organized along a semicircular hall, which did not received sunlight.
The second level, which was at the same height as the via Biberatica, was also organized along a semicircular corridor and received generous lighting.
The third level has rooms that open onto a hallway originally covered.

c) Forward Halls

Two halls of flat facade, covered by a dome split in half. Both originally had a central door, but now one of them the door is walled up.

d) Via Biberatica

It is a street paved with basalt, which connected both lower and higher sections of the complex and follows the semicircular shape of the urban layout.
At the end of the road stands an arch that is also the south buttress of the Central Body.


The upper floors were used for offices, the Great Hall and the Central Body.

Images courtesy of Museums in Commune. Click on the image to enlarge.


e) Central Body. f) Great Hall. g) Milizie Garden.
Images courtesy of Museums in Commune. Click on the image to enlarge.

e) Central Body

It has three floors with tabernae open to the via Biberatica.
On the first floor plant the spaces are irregular, and culminate in a room covered by a semi semicircular dome. Notice that this floor is semi buried at the same level of the Via Biberatica.
The second floor has a room in the form of apse and some decorated rooms of irregular shape.
The third level repeats the distribution of the rooms, but with less ornamentation.

Great Hall

This large space (32 x 8 m) is flanked by vaulted rooms on three levels.
On the first floor these areas bordered the hall, while in the second floor they were opened up onto corridors with pilasters. On the west side (valley), the first level rooms were adjacent to the via Bibarática. On the eastern side (Monte), a third level with interconnected areas, was accessible from the staircase serving the upper floors.


g) Milizie Garden

Located upon the Central Corps and the Great Hall is a road paved with slabs of basalt. La Torre delle Milizie was the result of several buildings constructed between the twelfth and thirteenth centuries. Between 1150-1200, a palace with a loggia on arches reused Roman structures, between 1200-1250 a corner of the loggia was occupied by a high tower, which from 1250-1275 was covered by the brick wall, that we see today.


CONSTRUCTION
The most outstanding feature of the market is that for the first time is that brick was used on a large scale. This method was fast and resistant and for that purpose a unique construction technique was chosen. Bricks were divided in half diagonally and then were arranged in two rows. In the middle, a mortar invented by the Romans was poured, the concrete, a mix of cement and gravel.

Image courtesy of Discovery Channel.

But the extraordinary ability of the Romans in the use of brick goes beyond its structural use, but also as an aesthetic element, using different styles for the arrangement of the masonry in the decoration of the facade.


TRAJAN'S MARKET AFTER THE EMPIRE

Following the collapse of the empire, the market was inhabited and fortified. Between the twelfth and fourteenth centuries the Castle of the Militia was built here, from which still survives the Torre delle Millizie, built in 1200.
Today you can see medieval houses added to the top floor.

The market as a fortification in medieval times , and as the Convent of Santa Catalina in more recent times.

Later a convent was built in the area, which was demolished in the early 30s to uncover the original Roman structure.


TRAJAN'S COLUMN


"When you go to the Trajan Market, don't miss the column" -a good friend told me- "and imagine that the Quirinal hill used to reach its top before its construction."

This superb column was erected by the Emperor Trajan in 114 AD to commemorate his victory over the Dacians. In fact, the impressive carvings that adorn the monument represent the emperor's military campaigns. The total length of the bas-relief is 200 m, and wraps the column 23 times.


It is impossible to appreciate the detail of the engravings to the naked eye (the column was between Ulpia Basilica and the Temple of Trajan), so that the artwork was made to be seen by the gods. After all, Trajan himself was considered one of them.


In addition, Trajan's Column stands out for its remarkable calligraphy .

The column is 30 m 8 m pedestal, and is composed of 18 blocks of marble from Carrara, 4 m and 40 tons each. It is, however a solid structure, as it has a staircase that allows access to the top.

Pedestal of Trajan's Column in a photo from 1860. Source Wikipedia.

Originally there was a statue of Trajan on its top, but in 1588 was replaced by a statue of San Pedro.


SEE ALSO
- GRECO-ROMAN ARCHITECTURE

Monday, December 5, 2011

THE AGORA OF ATHENS, ARCHITECTURE




In the previous post we reviewed the historical process of urban formation of the Athenian Agora. This time we will discuss 4 representative buildings of different historical periods, and that still remain in some extent to this day. These are: Temple of Hephaestus (classical times,) the Stoa of Attalus (Hellenistic period), the Odeion of Agrippa (Roman period) and the Church of the Holy Apostles (Byzantine period).

Temple of Hephaestus or Hephaesteion (449-415 BC)


Despite being the oldest building that remains in the agora, built in the second half of the fifth century BC, the Hephaesteion is the best preserved Doric temple in all mainland Greece.


Its location on top the hillock Kolonos Agorarios gives a privileged vista of the complex, while standing out above the skyline of the agora.


It was dedicated to Hephaestus, god of fire and the forge (whose Roman equivalent was Vulcan) and Athena, goddess of arts and crafts. Hence, near the temple there were several shops devoted to the manufacture of metal objects.
The temple, of 31.8 m x 13.7 m, consists of a pronaos or portico preceding a central cella from east to west and surrounded by a Doric colonnade of 6 lateral columns and 13 in the front side (counting twice the columns in the corners).

Original layout of the Temple of Hephaestus and after conversion into a church.

As it is known, Doric columns have no bases (rely directly on the stylobate , the third of three steps that make up the krepidoma or platform on which the temple stands).


Its shaft is fluted and robust, wider at the bottom and is comprised of various drum-like pieces that perfectly strung together.



Its capital is simple, consisting of three parts: a collar, an echinus (an inverted flattened hemisphere) and an abacus (a flat box). Interestingly, for the researcher Dr. Robert Garland, it was the Doric order and not the Corinthian then one which came from Corinth.




The entablatures are decorated with war motifs: on the eastern side Heracles is represented and the western side corresponds to Theseus. For this reason, for many centuries it was thought that this would be the temple dedicated to the latter, and it was called Theseion, when the actual location of the agora was still unknown.


There is also evidence that the temple would have been surrounded by gardens, probably during the Hellenistic period.

Later in the seventh century the temple became the church of Saint George Akamates (and that is the reason for its excellent state of preservation), to which an apse was added later on the east side (where the Sun rises, and for that reason the altar was placed here), and a transept. However, the mythological figures were mutilated, with the exception of a Minotaur in the south that has kept his head. The church was demolished in order to appreciate the original temple.



STOA OF ATTALOS


The stoas are the quintessential Greek civic buildings. Business functions accommodated and provided a key element for the Mediterranean climate: protection against the hot sun in summer and rain in the winter.


This Stoa, of 115 m x 20 m, was located defining the eastern edge of the agora. It was made ​​by King Attalus II of Pergamon (158-138 BC), who studied in Athens and, to pay homage to the city he loved, he built it a "mall".


The building followed the typical pattern of the stoa: a row 42 commercial stands preceeded by a double Doric and Ionic colonnade, supporting a wooden roof. The same pattern was repeated in a second level. The colonnade provided ventilation and shade to the rooms, without depriving them of sufficient lighting.



White Pentelic and blue Hymettian marble was used, along with limestone for the walls. Also Sunsequently in Roman times, the floor that connected to the adjacent Roman Agora was also covered in marble the.



The building remained in existence for several centuries, until it was partially destroyed by the Heruli in 267 AD. It was completely restored between 1953-57 by the Society for American Archaeology (whom we owe the discovery of the agora and the systematic surveys and excavations for more than 75 years). The restoration included a basement for storage, a museum on the first level and offices and workshops in the second floor.



ODEION OF AGRIPPA

Located in the center of the public space, this great concert hall or oideion was a gift of Agrippa to the Athenians, a general and nephew of the Emperor Augustus, who also built the original Pantheon in Rome.


The Odeion, built in 15 BC was a huge two-story structure with capacity for 1000 spectators and had an orchestra made of marble and a raised stage. It is surrounded on three sides by a cryptoporticus (an underground colonnade), upon which small stoas were located.

Left: original plant Odeion of Agrippa. Right: additions during the late Roman period (fifth century AD), when it became part of a palace complex.
Section

However, the building collapsed near 150 AD due to the long span of the auditorium (25 m) but was rebuilt as a lecture hall for 500 seats, with a north face more elaborate than before, including pillars with sculptures of giants (men with snake tail) and tritons (fish-tailed men), figures that have survived until today.



CHURCH OF THE HOLY APOSTLES



This is a small, well preserved church dating from around 1000 AD, and given its age and excellent state of preservation, it was decided to restore it (unlike other recent churches that used to stand on the ground of the agora, which were demolished during the excavations).


The original layout follows the pattern of a Greek cross, in which its four arms are basically the same size (unlike the Roman cross layout of other European churches, where one arm extends considerably more than the other three). However, this layout has unique characteristics, since each side ends in a semicircular apse.


The central dome is supported by four central columns.
The exterior walls are adorned with a decorative brick called " Kufic ".


Meanwhile, the interior is decorated with frescoes dating from the seventeenth century.




***

In the next post we will discuss some comparisons between the Roman Forum and the Athenian agora.

SEE ALSO
- CLASSICAL ARCHITECTURE
Holding my breath in front of the Hephaesteion.