Showing posts with label restaurant. Show all posts
Showing posts with label restaurant. Show all posts

Tuesday, June 11, 2013

ALVAAR ALTO: SAVOY RESTAURANT


ESPAÑOL

Alvar Aalto, a Finnish architect sometimes called the "father of modern architecture", is renowned for the quality of its architecture, inserted within the Modernist Movement but full of warmth, superb handling of scale and the materials and respect for the surrounding context . Among his best known works are the Academic Bookstore, the Finlandia Hall,  the Finnish Pavilion for the Paris Exposition of 1937 or the City Hall of Saynastalo .

Less known is, however, his works as interior and furniture designer. This post focuses precisely on the Savoy Restaurant in Helsinki, which still retain some of his original designs.

View from the old terrace, before being covered with glass, for obvious climatic reasons ( Helsinki is at latitude 60)

Opened in 1937, the Savoy is a luxury restaurant located at the top of the Industrial building, which was not designed by Aalto.


It consists of two areas, one indoor area and the terrace overlooking the Esplanadi Park, one of the most important public spaces of Helsinki. In addition, there are some exclusive banqueting cabinets.

Lobby at the restaurant entrance.

Originally the restaurant interior was designed by Alvar Aalto and his wife Aino, in collaboration with textile artist Dora Jung. The construction was carried out by Artek Oy.


Views and details of the living room

View to the terrace
Esplanade Park View from the terrace.

Despite being a luxury restaurant, Aalto rejects the glitz and instead he choose simple , austere, minimalist style, creating a warm and intimate atmosphere of elegant proportions. Among the designed elements are the club chairs by Aino Aalto and the luminaires  by Alvar Aalto.

Detail of the luminaires

The restaurant also contains a display of the famous Savoy vase, designed in 1936, which consists of a hyperbolic curve surface which folds sinuously along two similar curvatures of different radii.


The design, as Aalto was inspired by the Finnish Eskimos girls' breeches. In the words of Professor Jan Michl, "it represents the qualities of the quintessential Finnish design: originality, openness and aesthetic sophistication."


The Savoy vases were placed on each table and allowed the flowers to be arranged in different ways.


Despite its name, the vases were not made exclusively for the restaurant, but were part of a collection for Karhula and Iittala factory for  the Paris International Exposition in 1937. In fact, the shape of the vase is similar to Aalto's Finnish Pavilion built for that Expo.


Finland Pavilion, by Alvar Aalto. Paris Exposition, 1937


Since the first vases were made using wooden molds, their surfaces were slightly more textured than they are today. A curious fact is that originally, after the glass hardened, the wooden mold was burned in order to release the vase.

Currently the Savoy vase rights have been acquired by the restaurant, and it is now called Aalto Vase.

Left: detail of the floor. Right: the restaurant was so expensive that we could only afford to eat a dessert (it was such a treat!). In the background you can see the Aalto vase, still used on each table.


SEE ALSO
- INTERIOR DESIGN


With Manu and Moumita, great friends and hosts with whom we ventured to explore a bit of architecture in Helsinki. 

Sunday, November 27, 2011

KENGO KUMA: STEAKHOUSE OMI, KYOTO

Photo courtesy Kengo Kuma and Associates.

ESPAÑOL

As he did in his acclaimed Suntory Art Museum , Kengo Kuma was once again able to propose modern architecture but using the subtle minimalism of the traditional Japanese architecture for the Steakhouse Omi, a small restaurant located at the Kyoto International Hotel (Kyoto Kokusai Hotel) . It is not a cold, insensitive minimalism , but, despite its simplicity, it manages to convey a friendly atmosphere based on textures, lighting and integration into the neighbor garden.


LOCATION

The Kyoto Kokusai Hotel is located in front of the Nijo Castle in Kyoto. The hotel is arranged around a central garden of square proportions. A couple of restaurants face the garden and each other, one of them is the Omi Steakhouse designed by Kuma.


CONCEPT

In addition to being integrated into the hotel lobby, the restaurant has a direct and independent access from the street. Kuma defined it by a fence of bamboo and straw evoking the traditional shiba-gaki , accompanied by a leaning screen composed of thin wooden rods. This panel, which sits on a bed of gravel stone, provides a transition between transparency and opacity.

Views from the street access.

Views of the access from the lobby, to which the restaurant is separated by another semi-transparent screen.

Once inside the restaurant, preceded by a separated by a genkan or lobby where footwear is removed, the first thing that impresses the visitor is the full visual integration with the garden, through a longitudinal window. The columns supporting the structure of the hotel, have been covered by mirrors, thus visually multiplying the vegetation of the garden.


A reception separates the eating area, which is not visible until one approaches at it.

The concept is pretty simple, but it is still impressive. It is a square dinning room, which ​​almost completely surrounds the cooking area. Only a small door communicates the latter with the kitchen .


The dinning area has been elevated to the clients sit on the tatami floor, as mandated by the etiquette in Japan, but at the same time they are able to stretch their legs. A grill bar, where the meat is fried, surrounds the cooking area, right in front of the diners.

Photo courtesy Kengo Kuma and Associates.

Here the architect uses a volume attached to the ceiling to accommodate smoke extractors, whose surface has been coated with a metallic finish that recalls the wabi sabi or art of things unfinished.


The lighting, subtle but carefully located, focuses both on a paper wall and at the junction of ceiling and the walls. The dim lighting produces various types of shades, which afford intimate drama and lightness to the room.


The ceiling is covered by a slatted frame that is characteristic of the architect's work, and that extends into the garden, emphasizing the integration between the inside and the outside, between the artificial and the natural.


THE GARDEN


DETAILS


In my opinion, Kengo Kuma is currently one of the architects that best combine modernity with tradition in Japanese architecture.

SEE ALSO:
- OTHER WORKS by Kengo Kuma
- HOTELS AND RESTAURANTS
For travelers who are Kyoto for a few days and want to visit this restaurant but have a somewhat limited budget, I recommend going for lunch, since dinner here can be very expensive.