Friday, May 4, 2012




Victor Horta is the most important exponent of Art Nouveau in Belgium, the architectural and artistic movement that followed Neoclassicism and spread over Europe in the late nineteenth and early twentieth centuries. Among his works, his house studio is known for the quality of its conceptual space and the skillfulness of its details. UNESCO, in declaring this building as a World Heritage Site, stated that "the stylistic revolution represented by these works is characterized by their open plan, the diffusion of light, and the brilliant joining of the curved lines of decoration with the structure of the building".

Horta's house-studio. Detail of the facade

The Art Nouveau Movement

With its flora motifs and natural reminiscences, the Art Nouveau movement "flourished" in Europe between 1890 and 1910. Rejecting the eclectic Historicism on the one hand and the industrial mechanicism on the other, both of which characterized the architecture of the old continent in the late nineteenth century, the Art Nouveau movement took advantage of the advances in steel architecture but refined its décor, representing elements of nature while affording both an ornamental as well as functional character. The name Art Nouveau implies a change, a rupture with the old schools of Art, and this is how it was known in France and Belgium, being called Jugendstil in Germany and Latvia, Secezion in Austria, Modernismo in Spain and Arts and Crafts in Britain.
The finest exponent of Art Nouveau in Belgium was Victor Horta, who developed several buildings in this style in Brussels, as well as other masters such as Henry van de Velde and Paul Hankar.

Victor Horta in his studio


The location of the Horta house, on the Rue Americaine 23 and 25 on the outskirts of Brussels, was due to the urban expansion experienced by the Belgian capital in the late nineteenth century, as a result of the boom that it achieved due to the shameful colonization of Congo at the hands of King Leopold II.
The properties are located in a triangular block of  narrow and elongated plots, defining a compact profile with no retreat to the street but with inner gardens in the heart of the block. The facades facing the American  St. are oriented to north, which gave them an unfavorable sun light.


The first thing that stands in the facade is the clear distinction the architect made in both the house and the studio elevation.  In both facades the proposal also raises asymmetrical compositions, in rebellion against the canons of the time However, both buildings maintain an ongoing dialogue in terms of composition, form and proportion of openings, materials and colors, and integrate themselves smoothly with other properties in the street..

Skyline of the street. Photo courtesy of Marie-Hélène Cingal

Also, both facades are covered on a blue stone finishing that extends to the sidewalk, which is made of the same material.

The studio's facade was developed in three levels, the first two more massive than the third. Taking advantage of the structural strength of steel, the architect could arrange a discontinuity between the openings of the first and second level, unlike the neighboring houses in which the space between windows and columns are repeated on every floor. The studio's last level is basically glass, framed by thin ocher-color metal columns.

The facade of the house is covered in stone, and it highlights the work done in the metal balconies,  supported by a steel beam that runs along the first level.

The quality of the details and the dialogue between the stone and metal elements that make up both facades  is remarkable, and they often conceal specific and mundane functions behind their elaborate stylistic forms.


The interior of the house studio has been modified several times and it reflects the vicissitudes of the architect's life, including his divorce and his  professional needs. In 1919 Horta separated the two buildings and sold them to different people.

The house and studio are divided into 5 levels: a basement, a ground floor, the piano nobile (or second level from the street), and the first and second floors (or third and fourth levels from the street. I make this distinction due to the difference in the numbering of the levels in different countries). These levels extend with their mezaninnes (or semi-levels) around the central staircase.

Sections of the studio and house. Drawings courtesy of Horta Museum .

Overall the house is much brighter and has warmer colors than other contemporary houses, as Horta innovated in the use of electric lighting to replace the use of gas (which was very dirty and so forced to use dark colors on the walls).

GROUND FLOOR (Left): House: 1. Parlour - Cloakroom, 2. Main staircase, 3. Cellar - Kitchen, 4. Servant´s staircase. Studio: 1. New cloakroom, 2. Bookshop. 
BEL-ÉTAGE (Right): House: 1. Music room. 2. Main staircase. 3. Dining room. 4. Salon. 5. Servant´s staircase. Studio: 1. Victor Horta's salon waiting room. 2. Victor Horta´s office.
Plans courtesy of Horta Museum

FIRST FLOOR (Left): House: 1. Salon- Cloakroom, 2. Main staircase, 3. Bedroom, 4. Bouidoir 5. Dressingroom, 6. Bathroom. 7. Servant´s staircase. Studio: 1. Library, 2. Office for museum staff. 
SECOND FLOOR (Right): House: 1. Guest-room. 2. Main staircase. 3. Simone Horta's room. 4. Winter terrace. 5.Terrace. 6. Servant´s staircase. Studio: 1.  Attic. Office for museum staff. .
Plans courtesy of Horta Museum

The house welcomes visitors in a comfortable hall located on the ground floor (as opposed to the houses of the time, which placed the kitchen near the entrance so the reception was rather a small and narrow space). Then, after walking through white marble steps, you reach the stairs, the central element of the interior space, which, in addition to serving the different floors, provides copious natural lighting inside the house, which is especially useful in the case of such an elongated plot with a unfavorable facade orientation.

The staircase is crowned by a spectacular glazed skylight, in a semi-vault form. The generous stairwell that widens from the bottom up, of light and transparent design, allows visual communication between all levels of the house, and also provides a cozy space for its inhabitants.

Horta put great effort into decorating this room, carefully designing each structural and furniture element, yet avoiding falling into Baroquism. For example, the lamps that hang from the structure and other ornaments appear to extend to infinity due to two mirrors located on the sides.

The staircase itself has a detailed functional study, that goes unnoticed behind its extraordinary formal display. The run and rise of each step is different and their ratio will change as you climb through the stair.

The piano nobile includes the music room and dining room with the staircase as a distributor and communicator space between the two sides of the building. On the stairs, the architect uses metal arches that join in a marble column, evoking Gothic architecture.

The dining room is covered with white enameled brick, a material that is simple but exquisitely worked, alternating with glass, marble, gilt metal and fine wood.

The space is generously lighted by a screen that faces the garden, reinforcing the idea of ​​contact with nature that Art Nouveau was trying to preach.

Dining room. Photo courtesy of Sigfus Sigmundson

The same contact with nature is found in Simone's bedroom, the daughter of the architect, located on the last level. Horta planned this expansion for her creating a comfortable winter garden. During the visit, that took place in March, I noted the quality of the ambient, which caught the afternoon sun and shed its heat into the neighbouring  room.


Photo courtesy of Sitomon


Coming soon...

Together with architect Natalia Barreda. It was a pleasure to meet in Brussels, dear friend.


  1. Your posts are lovely, as always, Carlos. I'm having a little trouble visiting your blog, though, and I can't finish reading most posts as my computer looks like crashing anytime. Is my PC not smart enough or is it that blogger is no longer fit for the size of your posts? I'd love to take time and finish reading everything. Best regards, The Bosa Bosa Review
    P.S. If you'd like to reply, please leave a message on my blog, twitter, or e-mail. I can't check the comment box here... Cheers.

  2. As an encouraging mum, if I can say so myself, I had a nice time recently with my two kids to decorate their room in our new house that we just moved into. There were lots of the children's art work, made at home and school, that we happily put on the wall.
    Then we spent time together sitting in front of the iMac and looked through the big collection of digital images that had for their customers to select from and have printed as canvas prints. The kids together chose this painting for their room, Ivan Horse by Edmund Dulac,, that we ordered online to have delivered to our new house.

  3. Did you visit the Hotel Tassel? Would love to see a post on that building :)

  4. Unfortunately not. I had to choose between the house studio or the hotel, and I chose the former... thanks for dropping by

  5. Wonderfully claimed. The following pointers are actually incredible. I’m thankful pertaining to revealing these people.

    Wholesale Walk in Bathtubs
    Wholesale Walk in tubs
    Walk in Tub Distributer

  6. good post,I am glad to visit your website.. This article gives the light in which we can observe the reality and it is very useful one and gives in depth information.
    Bathroom remodeling
    Hydrotherapy tubs
    Handicapped bathroom
    Handicapped shower
    Austin San Antonio

  7. Thank you for your nice article.Very helpful!

  8. Hi Carlos,
    what an impressing post! Thank you for your great information. But one question: Did you design the section of the houses and the ground-floors on your own or can you recommend me any sources?
    Best regards from Germany

  9. Great blog As an encouraging mum, if I can say so myself, I had a nice time recently with my two kids to decorate their room in our new house that we just moved into. There were lots of the children's art work, made at home and school, that we happily put on the wall.Thanks for sharing.........

    Apartments in Leicester | All inclusive student accommodation

  10. I take this opportunity to thank you for posting this wonderful article.
    click here

  11. Hi! May I ask if you know the dimensions of the victor horta’s house/studio? I’ve been searching all over the internet and I couldn’t font it. I need it for my project, a facade of the building which is why I need the dimensions. Thank you. I will be waiting for your reply.