Wednesday, September 12, 2012

ZAHA HADID: PERFORMING ARTS CENTER, ABU DHABI


ESPAÑOL

The Performing Arts Center and the Sheikh Zayed Bridge are two of the most important projects being carried out in the Emirate of Abu Dhabi, and are designed by the renowned architect Zaha Hadid of Iraqi origin.

Because of its affinity with Rem Koolhaas and OMA Office for Metropolitan Architecture, where she began as an apprentice before starting her own studio, Zaha Hadid's style has been labeled as deconstructivist, perhaps due to the apparent fragmentation depicted in her paintings, which are the conceptual maps foe her designs.

Zaha Hadid's conceptual paintings for Rome and for the Opera in Cardiff Bay, a project that won a contest but it was never built.

As in the case of Gehry, I think Hadid's is embedded of an artistic nature (although she has explicitly refused to be called an artist in an interview with Charles Rose). Her works convey a sense of energy, with dynamic lines, sometimes related to aerospace design. The sculptural shapes, the sensual curves. both stylish and vigorous (I am talking just about the architect's designs) have led Zaha Hadid to become the first woman to receive the prestigious Pritzker Prize in 2004, the highest award in architecture.

PERFORMING ARTS CENTER.


"As it winds through the site, the architecture increases in complexity, building up height and depth and achieving multiple summits in the bodies housing the performance spaces, which spring from the structure like fruits on a vine and face westward, toward the water"
Zaha Hadid.

Since that spectacular Sydney Opera House, designed by Jørn Utzon, there has been a fascination for placing stunning performing arts facilities on waterfronts (although on the other hand, this is not new, many Greek and Roman theaters were located facing superb views towards the sea). Belfast , Oslo, Singapore and Copenhagen are examples. Even Paul Andreu surrounded China's National Theatre in Beijing by water as it was far from the riverfront (Hadid herself has an interesting unbuilt opera in Cardiff Bay, Wales ).


In the island of Saadiyat, Zaha Hadid's proposal audaciously craves to join this select "club of waterfront venues" and does so with a building that looks ready to dive into the water. From the urban pespective, the Performing Arts Center is located perpendicular to a large coastal boulevard, which is crossed by a footbridge leading to the building.


The architect has been inspired by organic themes or nature for the conception of her work, and in fact this building might resemble a group of cosmic eels in frantic race, or a branch extending in several buds. Looking at it in more detail, it is clearly the intention of making a volumetric  transition from the cultural district to the waterfront. The building thus establishes a gradual differentiation of domains.


The facade of the building expresses this allegory with the natural world, where both the structure and the openings resemble plant elements, such as leaves and branches.


"The Abu Dhabi Performing Arts Centre’s distinct formal language is derived from a set of typologies evident in organizational systems and growth in the natural world. These natural scenarios are formed by energy being supplied to enclosed systems, and the subsequent decrease in energy caused when organized structures develop in nature. 
The ‘energy’ of the Performing Arts Centre is symbolized by the predominant movements in the urban fabric along the central axis of the pedestrian corridor and the cultural centre’s seafront promenade – the site’s two intersecting primary elements."

This project contains 5 halls, placing the main Concert Hall on top of four other smaller theaters. Additionally, it houses the headquarters of the Academy of Performing Arts.

The arrangement of the theaters follow the flow of the overall design but both are organized around a central space to create areas from which one can contemplate impressive vistas. Also, north of the building there is a restaurant under a large terrace.


One aspect to highlight is the inclusion of large windows in the halls, allowing the entry of light and magnificent views of the city, going back, as I said, the spirit of the ancient Greek theaters. I imagine, however, that Hadid must have taken into account a strict environmental  design. Let us not forget that this is Abu Dhabi, where summers can reach up to 50 °C. It would not be very efficient to create an eye-catching "greenhouse" and then spend money on energy to refrigerate it. In any case, she probably will use some kind of special glass, which prevents the entry of harmful solar radiation but allows a clear perception of the environment, as it was done in the Burj Khalifa, formerly Burj Dubai.


Moreover, despite her Arab roots, it seems that the architect has focused more on designing a building "Zaha Hadid style" rather than a building in Abu Dhabi, as there is no reference to its landscape or culture. Basically, this fine object could be located anywhere in the world.

SHEIK ZAYED BRIDGE

Abu Dhabi is an island separated from the rest of the country. In 1967 an arch bridge was built connecting the island with the rest of the country, opposite to this tower in the vicinity of the Al Maqta Fort. With the development of Abu Dhabi it became necessary to build a new bridge to improve the emirate's road system connection.


Zaha Hadid proposed a very particular bridge whose structure consists of ribbons to develop a sinusoidal shape, while sustaining the bridge deck, achieving a dynamic sculptural effect. The length of the bridge is 842 m, with a longest span of 140 m.



Satellite views of the bridge in 2004, 2007 and 2010. Progress is slow. Google Earth images. 



Note that the highways will be anchored to the main structure, maintaining clarity and simplicity in the formal composition of the design.




During my visit to Abu Dhabi in 2009 the bridge was still under construction. It was finished in 2010.




Photos courtesy of scc video.


Zaha Hadid is also known for developing a Bridge Pavilion in Zaragoza, Spain, a pedestrian structure, which achieved a good reception from the critics.




SEE ALSO

- Concert Halls
- Notable Bridges



Tuesday, September 4, 2012

F. GEHRY: GUGGENHEIM MUSEUM, ABU DHABI


ESPAÑOL

Saadiyat, in Abu Dhabi, the capital of the United Arab Emirates, is probably the most important cultural project in the Middle East and one of the most impressive in the world. Among the most conspicuous cultural projects are works of Frank Gehry, Zaha Hadid , Tadao Ando and Jean Nouvel , which we will review in this and subsequent pages of this moleskine.

ABOUT ABU DHABI

Given the importance of Dubai in the UAE, many confuse this city with the real country's capital, Abu Dhabi. While Dubai has always had a more important commercial role, Abu Dhabi is a much larger emirate (85% of the UAE's territory) and with huge oil reserves for 100 years, unlike Dubai's case, where oil is almost exhausted.

Abu Dhabi in late 60s. Photo taken at the Cultural Centre of Abu Dhabi.

It seems incredible that just 50 years ago Abu Dhabi was just a group of temporary shacks made of palm leaf, dispersed in the sand. There were no roads, schools, nor infrastructure ... its development was even behind Dubai's.


Model of Abu Dhabi in the 60s. Photo taken at the Cultural Centre of Abu Dhabi.

Nowadays progress in the capital is evident and sometimes impressive, although I must say that Dubai is a more dynamic and active city (my friend from Dubai would use the adjective "fun").

Taking advantage of the huge amount of resources available, authorities from Abu Dhabi have proposed a plan to revitalize the city, distancing themselves from the chaotic, commercial  and somewhat hedonistic model of their rival Dubai, and proposing a cultural and environmentally friendly city instead.


The plan, which is envisioned for 2030, emphasizes four main areas: green, work, life and connection (see video promo).



Saadiyat

One of the most impressive developments in Abu Dhabi city is called Saadiyat or "Island of Happiness" (happiness which, of course does not include the exploited  Indians or Pakistanis workers who build it ), emphasizing cultural tourism and 160,000 luxury residences.


This $ 27 billion project is a 27 km2 island aims to transform Abu Dhabi in the cultural center of the country, includes a number of facilities located in the waterfront, designed by some of the most famous architects of our time : the Guggenheim Museum (Frank Gehry), the Performing Arts Center (Zaha Hadid), the Maritime Museum (Tadao Ando) and the Louvre (Jean Nouvel). Thus Abu Dhabi seeks also outrun Doha in Qatar, which had hitherto been the main commitment to culture in the Gulf, with its Museum of Islamic Art, designed by IM Pei .


Moreover, the cultural district will feature 19 international pavilions dedicated to art, crossed by a network of canals, along with a branch of New York University (Cambridge, Carnegie Mellon, Texas, Northwestern and others already have offices in Qatar).


t is remarkable this turn to culture as such activities are not very profitable, and is likely that the government would end up assuming much of this enormous cost in the short term. But certainly this intervention will have a big impact on the education and cultural development of the region.

GUGGENHEIM MUSEUM

"“It was clear from the beginning that this had to be a new invention. The landscape, the opportunity, the requirement, to build something that people all over the world would come to and the possible resource to accomplish it opened tracks that were not likely to be considered anywhere else. The site itself, virtually on the water or close to the water on all sides, in a desert landscape with the beautiful sea and the light quality of the place suggested some of the direction."
Frank Gehry.


After the success of his museum in Bilbao, Frank Gehry was in charge of the project for the Guggenheim Museum in Abu Dhabi. With over 30,000 m2, will be the largest of all the Guggenheim museums, and the program will include galleries for permanent and temporary collections, an art and technology center, archives, library, research center and a laboratory for the conservation and restoration of art the latest technology, all arranged on 4 levels.

Schematic plans of the second and third levels.
The system of bridges connecting the different galleries, a scheme already used in Bilbao, is used again in Abu Dhabi.

The project is located on a breakwater at the end of a peninsula, surrounded by water on three sides, in a unique position within the complex.

Furthermore diagonally crosses a canal and facing the building, ensuring water reflections an effect similar to the Taj Mahal.


For the design process, Gehry used some local formal references, such as the wind towers, typical of  the vernacular architecture of the Emirates.


Overlaying these opaque boxes along with other translucent conical elements, he obtained a more "serene" composition than other previous project of the author, providing a counterpoise between the opaque and the translucent but avoiding the use of metal sculptural forms (Ghery's favorite material), something that in this region of ​​high solar radiation and steamy temperatures would have been insufferably dazzling.


These conical elements also take part of the concept of wind towers, and not formal but functionally, to provide sun protection, channel breezes and expel warm air naturally.


But besides these vernacular elements, Gehry has used references to industrial spaces that will be used for large-scale exhibitions (something had already been included in the Fish Room of the museum in Bilbao ). In any case we can guess there will be a repertoire of scales, heights and feelings displayed  through a series of galleries connected by bridges and organized around a central atrium. Particularly interesting is the low number of windows, perhaps to pay tribute to the of the introverted and massive Islamic tradition.

While this design, whose final product presents a group of tilted boxes, gives the impression of being part of the Deconstructivism, I think it has differences with this movement. Deconstructivism (represented by Peter Eisenman , Daniel Libeskind and somehow, Rem Koolhaas ) is based on the rotation, translation and decomposition of simple volumes according to precise rational rules, overlapping volumes and spaces based  on topological relationships of the Object- building with itself and its environment. Gehry's work however (more similar to Miralles) takes a more sculptural approach, by adding, overlaying and rotating volumes as a   more subjective and personal design process, as it wasdemonstrated in the documentary "Sketches of Frank Gehry"  by Sydney Pollack.



In the next post we will review the proposal by Zaha Hadid for the Performing Arts Center.

SEE ALSO

- Other works by Frank Gehry .

Together with my friend Ahmed in front of the Palace Hotel in Abu Dhabi, where the exhibition about Saadiyat took place. A night here costs between $ 1,500 and $ 37.000 (I'm not sure if breakfast is included). In subsequent posts I will include some views of this "modest hostel."